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Since 1999 the Teatro di San Carlo has been a private non-profit foundation whose goals include the diffusion of music and the preparation and training of future artists. |
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THE FOUNDATION
Since 1999 the Teatro di San Carlo has been a private non-profit foundation whose goals include the diffusion of music and the preparation and training of future artists.
The new “Statute of the Theatre” regulates the private capital inflow through two kinds of financial supporters: the soci fondatori (funding members), with a minimum capital of 250,000 Euro and the soci sostienitori (the subscribing members) with a minimum capital of 5,000 Euro.
The Soci Fondatori may designate a representative on the board of directors according to statutory rules concerning contributions.
The Soci Sostenitori, according to statutory rules, may consent to have their contributions added to the contributions made by Soci Fondatori in order to acquire the right to designate a representative on the board of directors
The Soci Sostienitori and Fondatori can take advantage of tax benefits for their contributions made to musical foundations.
(law by decree nr. 367, art. 25).
For further information about the Foundation or to request documents, including the statute and tax regulations (in Italian), plese contact us at:
Ph.: +39 081 7972 204, Fax: +39 081 7972 309
BOX OFFICE
1) Online ticket purchase with a credit card:
IMPORTANT NOTICE
When clicking on the red button you will be redirected to the Charta-AMIT server. This is an external Company that handles online bookings for major Italian Houses.
All necessary instructions are clearly mentioned, in English, after clicking on their "Buy On-Line" link. Teatro di San Carlo cannot be held responsible for ticket prices charged by Charta-AMIT.
Further, we forewarn you that, according to Italian legislation, every ticket already purchased cannot be refunded.
A BRIEF HISTORY OF TEATRO DI SAN CARLO
The coat of arms of the Kingdom of the Two Sicilies thrones over the majestic proscenium arch, blending in with its colours: in its centre sits the stem of the House of Bourbon - three fleurs-de-lys on a light blue field - surrounded by the 21 heraldic symbols of the houses related to this then ruling dynasty. This is a strong emblem of the theatre's long history. Now carefully restored to its former splendour, the San Carlo is the oldest working theatre in Europe (41 years older than Milano's Scala and 51 years older than Venice's Fenice) its regular seasons having only been interrupted once, in 1874 and 1875 - due to a lack of funds. Neither the 1816 fire nor the Second World War put a halt to its activity: after the 1816 fire the theatre was rebuilt in a mere six months and during the war a series of concerts for the armed forces was staged in lieu of operas. The San Carlo shares with La Scala the record for the first Italian ballet school (1812) whilst its set design school opened as early as 1816.
Teatro di San Carlo was built by King Charles of Bourbon who wished to endow his capital city with a grand house to replace the old and crumbling San Bartolomeo which belonged to the Casa degli Incurabili. This institution was given an income of 2,500 ducats to replace the profits of the old theatre, which was demolished and its wood reused. At the same time the Royal Factories were ordered to draw up plans for a new theatre to be situated in a central area. On March 4th, 1737 a contract was signed with architect Giovanni Antonio Medrano and contractor Angelo Garasale. The cost was fixed at 75,000 ducats and the completion term given for the end of that same year.
This contract was fulfilled with astonishing precision: as early as November 4th, 1737 - the king's nameday - San Carlo was inaugurated with Metastasio's opera Achille in Sciro, set into music by Domenico Sarro, who also conducted the orchestra, and with two ballets as intermezzos created by Grossatesta. The part of Achilles, as was usual at that time, was performed by a woman, Vittoria Tesi, known as the "Moretta" who sang along with primo soprano Anna Peruzzi, known as "la Parrucchierina", and tenor Angelo Amorevoli.
NEAPOLITAN 18th CENTURY OPERA
ON STAGE AT THE TEATRO DI SAN CARLO
Besides staging the great operatic repertoire and many nineteenth-century forgotten masterpieces, the Teatro di San Carlo has been intensely working towards the recovery of eighteenth-century Neapolitan comic operas, partly in co-operation with renowned musicologist Maestro Roberto de Simone. A list follows, of operas brought thus back to light and success:
Concorsi e Audizioni
E' indetta l'audizione per violino di fila.
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Ammissione alla Scuola di Ballo
Sono aperte le iscrizioni all’esame per l’ammissione al Corso di propedeutica ed al 1° Corso della Scuola di Ballo della Fondazione Teatro di San Carlo per l’anno scolastico 2008-2009, la cui durata è di nove mesi.
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Audizione Pubblica - Maestri collaboratori
La Fondazione Teatro di San Carlo indice un’audizione finalizzata all’accertamento dell’idoneità artistica per eventuali assunzioni a termine per la stagione 2008/2010, per Maestro di palcoscenico con obbligo di sala e luci.
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| URL: |
http://www.teatrosancarlo.it/english/home.html |
| Posted: |
23rd April, 2008 12:34 |
| Site Title: |
San Carlo Opera House, Naples, Italy |
| Site Desc: |
Now carefully restored to its former splendour, the San Carlo is the oldest working theatre in Europe (41 years older than Milano's Scala and 51 years older than Venice's Fenice) its regular seasons having only been interrupted once, in 1874 and 1875 - due to a lack of funds. Neither the 1816 fire nor the Second World War put a halt to its activity: after the 1816 fire the theatre was rebuilt in a mere six months and during the war a series of concerts for the armed forces was staged in lieu of operas. The San Carlo shares with La Scala the record for the first Italian ballet school (1812) whilst its set design school opened as early as 1816. |
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\"la Parrucchierina\" - The Foundation - “statute Of The Theatre” - \"buy On-line\"
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\"buy On-line\"
According To Italian Legislation [1-1 of 1] |
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